Thomas Hardy records it in his novel the 'The Return of the Native'
'From her workbasket in the window seat the woman took a paper of pins. These she began to thrust into the image in all directions, with apparently excruciating energy. Probably as many as fifty were thus inserted, some into the head of the wax model, some into the shoulders, some into the trunk, some upwards through the soles of the feet, till the figure was completely permeated with pins'
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